Tragic ReliefOxford University Press, 1932 - 233 páginas |
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Página 175
... Elizabethan tragedy . As Mr Whitmore rightly remarks : The sea is magnified by Synge into an elemental force which takes on the attributes of the supernatural ' .1 This rapid survey of the use of the supernatural in tragedy , that we ...
... Elizabethan tragedy . As Mr Whitmore rightly remarks : The sea is magnified by Synge into an elemental force which takes on the attributes of the supernatural ' .1 This rapid survey of the use of the supernatural in tragedy , that we ...
Página 223
... Elizabethan audience derived pleasure from it , it only indicates their morbidity and vitiated taste . And one of the reasons why the later Elizabethan tragedies have lost their hold upon posterity is this blackening of the feminine ...
... Elizabethan audience derived pleasure from it , it only indicates their morbidity and vitiated taste . And one of the reasons why the later Elizabethan tragedies have lost their hold upon posterity is this blackening of the feminine ...
Página 224
... Elizabethan drama . In Shakespearean tragedy we have moral lapses in Goneril and Regan and in Cleopatra . But with what a delicate touch has Shakespeare presented the frailties of these women of his ! It is not on moral grounds that one ...
... Elizabethan drama . In Shakespearean tragedy we have moral lapses in Goneril and Regan and in Cleopatra . But with what a delicate touch has Shakespeare presented the frailties of these women of his ! It is not on moral grounds that one ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife