Tragic ReliefOxford University Press, 1932 - 233 páginas |
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Página 75
... Lear , and we are , therefore , afforded no glimpse of the inner working of Lear's mind . The reason for this is not far to seek . Lear , as conceived by Shake- speare , is too proud to confess to an error even to himself , and he would ...
... Lear , and we are , therefore , afforded no glimpse of the inner working of Lear's mind . The reason for this is not far to seek . Lear , as conceived by Shake- speare , is too proud to confess to an error even to himself , and he would ...
Página 144
... Lear from the very moment Lear's disillusionment starts till his mis- fortunes reach their climax . It is a very significant thing that the Fool first makes his appearance and takes his stand by the side of Lear in the fourth scene of ...
... Lear from the very moment Lear's disillusionment starts till his mis- fortunes reach their climax . It is a very significant thing that the Fool first makes his appearance and takes his stand by the side of Lear in the fourth scene of ...
Página 145
... Lear the sufferings of the hero are almost always at a climax , from the beginning of his mis- fortunes to the final catastrophe , and therefore in King Lear the comic element is not introduced as an occasional episode , but it pervades ...
... Lear the sufferings of the hero are almost always at a climax , from the beginning of his mis- fortunes to the final catastrophe , and therefore in King Lear the comic element is not introduced as an occasional episode , but it pervades ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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Palavras e frases frequentes
action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife