Tragic ReliefOxford University Press, 1932 - 233 páginas |
No interior do livro
Resultados 1-3 de 36
Página 83
... Macbeth revolted against what his hands were doing . As a result of this indication of a radical difference in inner nature , the two characters produce two contrary impressions although they are absolutely similar to each other in ...
... Macbeth revolted against what his hands were doing . As a result of this indication of a radical difference in inner nature , the two characters produce two contrary impressions although they are absolutely similar to each other in ...
Página 87
... Macbeth and Lady Macbeth , the poet has made it absolutely clear that neither of them was fitted by nature for the role of a murderer , and that they both had a deep moral repugnance to acts of heinous crime . With how fine and subtle a ...
... Macbeth and Lady Macbeth , the poet has made it absolutely clear that neither of them was fitted by nature for the role of a murderer , and that they both had a deep moral repugnance to acts of heinous crime . With how fine and subtle a ...
Página 170
... Macbeth on the eve of his murder of Duncan , a mere dagger of the mind , not sensible to the touch ; the ghost of Banquo , seen by Macbeth alone , and invisible to Lady Macbeth and the guests , appearing at the banquet immediately after ...
... Macbeth on the eve of his murder of Duncan , a mere dagger of the mind , not sensible to the touch ; the ghost of Banquo , seen by Macbeth alone , and invisible to Lady Macbeth and the guests , appearing at the banquet immediately after ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
6 outras secções não apresentadas
Outras edições - Ver tudo
Palavras e frases frequentes
action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife