Tragic ReliefOxford University Press, 1932 - 233 páginas |
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... Professor of English in Presi- dency College , Calcutta . He has very kindly perused my manuscript and helped me with valuable suggestions and criticism . I am under a similar obligation to my esteem- ed friends , Mr Padmini Bhusan ...
... Professor of English in Presi- dency College , Calcutta . He has very kindly perused my manuscript and helped me with valuable suggestions and criticism . I am under a similar obligation to my esteem- ed friends , Mr Padmini Bhusan ...
Página 190
... Professor Vaughan rightly characterizes Macbeth , the poet has utilized the highest resources of lyric charm and poetic eloquence at his command . In Webster's The White Devil , we find the most wonderful flashes of poetry put in the ...
... Professor Vaughan rightly characterizes Macbeth , the poet has utilized the highest resources of lyric charm and poetic eloquence at his command . In Webster's The White Devil , we find the most wonderful flashes of poetry put in the ...
Página 191
Praphulla Kumar Guha. pointed out by Professor Allardyce Nicoll , even in those prose tragedies there is a marked attempt to use a semi- poetic style for purposes of relief . Professor Nicoll observes : The ultimate value and even ...
Praphulla Kumar Guha. pointed out by Professor Allardyce Nicoll , even in those prose tragedies there is a marked attempt to use a semi- poetic style for purposes of relief . Professor Nicoll observes : The ultimate value and even ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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Palavras e frases frequentes
action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife