Tragic ReliefOxford University Press, 1932 - 233 páginas |
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Página 92
... Shakespeare which can draw our liking and goodwill towards so offensive an object ' . In Henry IV , where Shakespeare first presented Falstaff , he was confront- ed with a difficulty analogous to that which faced him while painting his ...
... Shakespeare which can draw our liking and goodwill towards so offensive an object ' . In Henry IV , where Shakespeare first presented Falstaff , he was confront- ed with a difficulty analogous to that which faced him while painting his ...
Página 224
... Shakespeare presented the frailties of these women of his ! It is not on moral grounds that one would disparage the degradation of womanhood in the later Elizabethan tragedies . We do not intend to suggest that Shakespeare was ...
... Shakespeare presented the frailties of these women of his ! It is not on moral grounds that one would disparage the degradation of womanhood in the later Elizabethan tragedies . We do not intend to suggest that Shakespeare was ...
Página 233
... Shakespeare as a Dramatic Artist , 82 n . Shakespeare as a Dramatic Thinker , 179 . Shakespeare Criticism , 22 , 224 . Shakespearean Tragedy , 82 n . Shakespeare's Workmanship , 52 , 145 , 147 . Shaw , Bernard , 49 , 55 , 97 , 151 , 152 ...
... Shakespeare as a Dramatic Artist , 82 n . Shakespeare as a Dramatic Thinker , 179 . Shakespeare Criticism , 22 , 224 . Shakespearean Tragedy , 82 n . Shakespeare's Workmanship , 52 , 145 , 147 . Shaw , Bernard , 49 , 55 , 97 , 151 , 152 ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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Palavras e frases frequentes
action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife