Tragic ReliefOxford University Press, 1932 - 233 páginas |
No interior do livro
Resultados 1-3 de 42
Página 69
... chapter as ' external ' is not purely external , but is a joint product of the inner character of the hero and of the outer circumstances . The ... chapter . CHAPTER VI THE TRAGIC CONFLICT ( INTERNAL ) RELATION BETWEEN EXTERNAL CONFLICT 69.
... chapter as ' external ' is not purely external , but is a joint product of the inner character of the hero and of the outer circumstances . The ... chapter . CHAPTER VI THE TRAGIC CONFLICT ( INTERNAL ) RELATION BETWEEN EXTERNAL CONFLICT 69.
Página 196
... chapters . We have , therefore , characterized the four instruments of tragic relief that have been discussed in this chapter as ' mechanical devices of tragic relief ' . The adoption of these mechanical devices is contingent upon the ...
... chapters . We have , therefore , characterized the four instruments of tragic relief that have been discussed in this chapter as ' mechanical devices of tragic relief ' . The adoption of these mechanical devices is contingent upon the ...
Página 198
... chapters . We pointed out in the last chapter that the most common type of tragedy produced in the Elizabethan period was that known as the Revenge Tragedy . It is a species of tragic drama which has a conventional theme and a ...
... chapters . We pointed out in the last chapter that the most common type of tragedy produced in the Elizabethan period was that known as the Revenge Tragedy . It is a species of tragic drama which has a conventional theme and a ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
6 outras secções não apresentadas
Outras edições - Ver tudo
Palavras e frases frequentes
action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife