Tragic ReliefOxford University Press, 1932 - 233 páginas |
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Página 67
... circumstance may prevail over man's fate and fortunes , the strength and resources of man are capable of resisting the sway of circumstance in an equally formidable way . It is a picture of what Professor Reid aptly characterizes as ...
... circumstance may prevail over man's fate and fortunes , the strength and resources of man are capable of resisting the sway of circumstance in an equally formidable way . It is a picture of what Professor Reid aptly characterizes as ...
Página 77
... circumstance . The first three are compelled to play the role of murder- ers , although nothing perhaps was more alien to their nature . The presentation of that fierce internal conflict into which all these three heroes of Shakespeare ...
... circumstance . The first three are compelled to play the role of murder- ers , although nothing perhaps was more alien to their nature . The presentation of that fierce internal conflict into which all these three heroes of Shakespeare ...
Página 125
... circumstance of tragic drama is , no doubt , ' dramatic ' , and is some- thing that we scarcely , if at all , meet with in real life , but it is less extraordinary than the character of the person whom it confronts in the play . We feel ...
... circumstance of tragic drama is , no doubt , ' dramatic ' , and is some- thing that we scarcely , if at all , meet with in real life , but it is less extraordinary than the character of the person whom it confronts in the play . We feel ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife