Tragic ReliefOxford University Press, 1932 - 233 páginas |
No interior do livro
Resultados 1-3 de 40
Página 41
... course of events and bringing about the tragic catastrophe , and yet a distressing impression of blind fate is averted by the illusion of a sort of cause - and - effect relationship between the charac- ter and action of the person who ...
... course of events and bringing about the tragic catastrophe , and yet a distressing impression of blind fate is averted by the illusion of a sort of cause - and - effect relationship between the charac- ter and action of the person who ...
Página 166
... course , occasionally we meet with supernatural agencies and miracles in plays that are not tragedies ; for example , in A Midsummer Night's Dream and The Tempest ; but these are frankly plays of romance . Dramas of this type are a ...
... course , occasionally we meet with supernatural agencies and miracles in plays that are not tragedies ; for example , in A Midsummer Night's Dream and The Tempest ; but these are frankly plays of romance . Dramas of this type are a ...
Página 178
... course of action in a tragedy . Its function is essentially of an expository and interpretative character . It does not introduce anything new into the play , it merely indicates the trend and symbolizes the spirit of the play . It ...
... course of action in a tragedy . Its function is essentially of an expository and interpretative character . It does not introduce anything new into the play , it merely indicates the trend and symbolizes the spirit of the play . It ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
6 outras secções não apresentadas
Outras edições - Ver tudo
Palavras e frases frequentes
action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife