Tragic ReliefOxford University Press, 1932 - 233 páginas |
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Página 41
... crime ; but to avert the depressing sense that Macbeth was led into crime merely by the operation of a supernatural force , he is represented as having planned the murder before he met the Witches . An impression of his personal ...
... crime ; but to avert the depressing sense that Macbeth was led into crime merely by the operation of a supernatural force , he is represented as having planned the murder before he met the Witches . An impression of his personal ...
Página 83
... crimes that he was committing , the soul of Macbeth revolted against what his hands were doing . As a result of this ... crime as well as after it . While he is preparing to do the deed he is haunted by the apparition of a blood ...
... crimes that he was committing , the soul of Macbeth revolted against what his hands were doing . As a result of this ... crime as well as after it . While he is preparing to do the deed he is haunted by the apparition of a blood ...
Página 85
... crimes . It is this undercurrent of moral consciousness , that never forsakes Macbeth , which keeps alive our sympathy for him even when , by his overt acts of ruthless crime , he should have completely forfeited it . The internal ...
... crimes . It is this undercurrent of moral consciousness , that never forsakes Macbeth , which keeps alive our sympathy for him even when , by his overt acts of ruthless crime , he should have completely forfeited it . The internal ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife