Tragic ReliefOxford University Press, 1932 - 233 páginas |
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Página 82
... deed in every eye , That tears shall drown the wind . ( Act I , sc . 7 ) These lines indicate that , while Richard ... deed - thinking therefore of consequences . Yes , but could he realize thus how horrible the deed would look to others ...
... deed in every eye , That tears shall drown the wind . ( Act I , sc . 7 ) These lines indicate that , while Richard ... deed - thinking therefore of consequences . Yes , but could he realize thus how horrible the deed would look to others ...
Página 83
... deeds ; while Richard impresses us as a veritable villain and his wicked acts shock us as heinous crimes , Macbeth ... deed . He pauses and hesitates , declares at the last moment , We will proceed no further in this business , and has ...
... deeds ; while Richard impresses us as a veritable villain and his wicked acts shock us as heinous crimes , Macbeth ... deed . He pauses and hesitates , declares at the last moment , We will proceed no further in this business , and has ...
Página 99
... deed , and , by endowing the character with something like a conscience or a principle , enlists our sympathy for ... deeds and events , and so serves as a source of tragic relief . We would conclude this discussion of internal conflict ...
... deed , and , by endowing the character with something like a conscience or a principle , enlists our sympathy for ... deeds and events , and so serves as a source of tragic relief . We would conclude this discussion of internal conflict ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife