Tragic ReliefOxford University Press, 1932 - 233 páginas |
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Página 40
... double impression which is required for relief in special types of tragedy . Thus , the undeserved sufferings that ... impression that the pangs of filial ingratitude from which Lear suffers are no personal misfortune , but a part of a ...
... double impression which is required for relief in special types of tragedy . Thus , the undeserved sufferings that ... impression that the pangs of filial ingratitude from which Lear suffers are no personal misfortune , but a part of a ...
Página 91
... double impression of a greedy usurer as well as of an ardent religious enthusiast . Besides Shylock , there is another character in Shake- spearean comedy who is made to produce a double impression like that of the tragic heroes , by ...
... double impression of a greedy usurer as well as of an ardent religious enthusiast . Besides Shylock , there is another character in Shake- spearean comedy who is made to produce a double impression like that of the tragic heroes , by ...
Página 92
... double impression ' , with which , as a tragic dramatist , he has moderated the painfulness of the outer deeds and events of his tragedies - namely , a subtle inner impression negativing the natural impression of the outer features of ...
... double impression ' , with which , as a tragic dramatist , he has moderated the painfulness of the outer deeds and events of his tragedies - namely , a subtle inner impression negativing the natural impression of the outer features of ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife