Tragic ReliefOxford University Press, 1932 - 233 páginas |
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Página 28
... effect of tragedy ? Is not the conflict the result of the peculiar situation of a tragic drama ? Would Romeo's passionate love or Hamlet's idealism or Antigone's sisterly affection come into any conflict at all with the forces against ...
... effect of tragedy ? Is not the conflict the result of the peculiar situation of a tragic drama ? Would Romeo's passionate love or Hamlet's idealism or Antigone's sisterly affection come into any conflict at all with the forces against ...
Página 41
... effect of the situation is moderated by the sense that the special circumstances of the play transformed their normal character , and that it was only a spirit of noble revenge and the command of the ghost of the murdered relation that ...
... effect of the situation is moderated by the sense that the special circumstances of the play transformed their normal character , and that it was only a spirit of noble revenge and the command of the ghost of the murdered relation that ...
Página 43
... effect also moderate the tragic impression , so as to keep the effect of the tragedy outside the pale of personal fear and pain . The illustrations that we shall give in subsequent chapters will show that in all great tragedies the ...
... effect also moderate the tragic impression , so as to keep the effect of the tragedy outside the pale of personal fear and pain . The illustrations that we shall give in subsequent chapters will show that in all great tragedies the ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife