Tragic ReliefOxford University Press, 1932 - 233 páginas |
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Página 52
... essential purpose the dramatist has in view . The difficulty is overcome through the production of that ' double impression ' , which , we have suggested , is the ultimate secret of tragic relief . The heroes of tragedy , although ...
... essential purpose the dramatist has in view . The difficulty is overcome through the production of that ' double impression ' , which , we have suggested , is the ultimate secret of tragic relief . The heroes of tragedy , although ...
Página 131
... essential , the life and soul , so to speak , of tragedy is the plot , and that the characters come second - compare ... essentials of the plot of tragedy in a subsequent chapter , 1 Art of Poetry , ed . cit . , p . 37 . Aristotle says ...
... essential , the life and soul , so to speak , of tragedy is the plot , and that the characters come second - compare ... essentials of the plot of tragedy in a subsequent chapter , 1 Art of Poetry , ed . cit . , p . 37 . Aristotle says ...
Página 178
... essential purpose for which the supernatural is introduced into tragedy is to make explicit , through concrete symbols , the implicit significance of the march of events and the course of action in a tragedy . Its function is ...
... essential purpose for which the supernatural is introduced into tragedy is to make explicit , through concrete symbols , the implicit significance of the march of events and the course of action in a tragedy . Its function is ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife