Tragic ReliefOxford University Press, 1932 - 233 páginas |
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Página 60
... external antagonistic force formed its entire element of conflict . But in Elizabethan tragedy , and in tragic drama ... external conflict between the hero and his hostile environment , which is a common feature of all tragedies ...
... external antagonistic force formed its entire element of conflict . But in Elizabethan tragedy , and in tragic drama ... external conflict between the hero and his hostile environment , which is a common feature of all tragedies ...
Página 61
... external conflict into which he is thrown . We shall now discuss these two types of tragic conflict , and in this chapter shall attempt to study the nature and significance of the former , namely , the external conflict , which , as has ...
... external conflict into which he is thrown . We shall now discuss these two types of tragic conflict , and in this chapter shall attempt to study the nature and significance of the former , namely , the external conflict , which , as has ...
Página 98
... external conflict . It merely lays bare the inner workings of the mind of the tragic hero , called into being by the nature of the external tragic situation . In all tragedy , ancient and modern , the situation of external conflict is ...
... external conflict . It merely lays bare the inner workings of the mind of the tragic hero , called into being by the nature of the external tragic situation . In all tragedy , ancient and modern , the situation of external conflict is ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife