Tragic ReliefOxford University Press, 1932 - 233 páginas |
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Página 27
... fact : and a sense of the assertion of a supreme ethical power at the close of the play is not capable of ... facts of life . Accidents play a large part 2 1 A. C. Bradley , Hegel's Theory of Tragedy ( Oxford Lectures on Poetry ) , pp ...
... fact : and a sense of the assertion of a supreme ethical power at the close of the play is not capable of ... facts of life . Accidents play a large part 2 1 A. C. Bradley , Hegel's Theory of Tragedy ( Oxford Lectures on Poetry ) , pp ...
Página 46
... fact . The illusion of tragedy seeks to beguile the audience into imagining that what happens in the play is not the real fact , and that what does not appear , but operates from an unseen region within , is the essential reality ; that ...
... fact . The illusion of tragedy seeks to beguile the audience into imagining that what happens in the play is not the real fact , and that what does not appear , but operates from an unseen region within , is the essential reality ; that ...
Página 158
... fact that in his earlier tragedy , Richard III , all the deaths , except one , take place off the stage , while in his later tragedies the majority of deaths occur before the eyes of the audience . This seems to indicate that ...
... fact that in his earlier tragedy , Richard III , all the deaths , except one , take place off the stage , while in his later tragedies the majority of deaths occur before the eyes of the audience . This seems to indicate that ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife