Tragic ReliefOxford University Press, 1932 - 233 páginas |
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Página 55
... feel the character to be with us in this world of ours and yet not quite of it , and the result is that his sorrows and sufferings do not distress us overwhelmingly with the sense of a normal calamity such as we might expect to befall ...
... feel the character to be with us in this world of ours and yet not quite of it , and the result is that his sorrows and sufferings do not distress us overwhelmingly with the sense of a normal calamity such as we might expect to befall ...
Página 56
... feel the tragic sufferer to be a person like ourselves . We can sympathize with his sufferings only when we feel that he is our own kith and kin , and we can contemplate his sufferings with that emotional calm , freed from the poignancy ...
... feel the tragic sufferer to be a person like ourselves . We can sympathize with his sufferings only when we feel that he is our own kith and kin , and we can contemplate his sufferings with that emotional calm , freed from the poignancy ...
Página 82
... feel at the deed - thinking therefore of consequences . Yes , but could he realize thus how horrible the deed would look to others if it were not equally horrible to himself ? ' ( Shake- spearean Tragedy , p . 355 ) . between the two ...
... feel at the deed - thinking therefore of consequences . Yes , but could he realize thus how horrible the deed would look to others if it were not equally horrible to himself ? ' ( Shake- spearean Tragedy , p . 355 ) . between the two ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife