Tragic ReliefOxford University Press, 1932 - 233 páginas |
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Página 40
... gives a new significance to his misfortunes . The tragic fate attending a noble character like Cordelia is presented in such a manner as to give us the impression that , in spite of her defeat and death in the worldly sense , the moral ...
... gives a new significance to his misfortunes . The tragic fate attending a noble character like Cordelia is presented in such a manner as to give us the impression that , in spite of her defeat and death in the worldly sense , the moral ...
Página 120
... give her the money ) ? NAN : I knew it . I knew it . Nan is shocked by his base greed , his sordid worldliness . She imagines that his profession of love for her is all false and insincere . Her pent - up feelings find a violent ...
... give her the money ) ? NAN : I knew it . I knew it . Nan is shocked by his base greed , his sordid worldliness . She imagines that his profession of love for her is all false and insincere . Her pent - up feelings find a violent ...
Página 131
... gives us qualities , but it is in our actions - what we do - that we are happy or the reverse . In a play , accordingly ... give one the same pleasure as a simple black - and - white sketch of a portrait . We maintain that tragedy is ...
... gives us qualities , but it is in our actions - what we do - that we are happy or the reverse . In a play , accordingly ... give one the same pleasure as a simple black - and - white sketch of a portrait . We maintain that tragedy is ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife