Tragic ReliefOxford University Press, 1932 - 233 páginas |
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Página 39
... human beings in the normal course of things , and at the same time he is sufficiently X human to enable us to take a human interest in his sufferings . Thus the simultaneous idealization and humani- zation of the tragic hero produce on ...
... human beings in the normal course of things , and at the same time he is sufficiently X human to enable us to take a human interest in his sufferings . Thus the simultaneous idealization and humani- zation of the tragic hero produce on ...
Página 55
... human to make us feel a general human interest in his affairs . Thus the elevation of the status and personality of the tragic hero , combined with a presentation in him of features essentially human , gives us the impression of his ...
... human to make us feel a general human interest in his affairs . Thus the elevation of the status and personality of the tragic hero , combined with a presentation in him of features essentially human , gives us the impression of his ...
Página 148
... human heart and the entrance of the fiendish heart was to be expressed and made sensible . Another world has stept in ; and the murderers are taken out of the region of human things , human purposes , human desires . . . . The murderers ...
... human heart and the entrance of the fiendish heart was to be expressed and made sensible . Another world has stept in ; and the murderers are taken out of the region of human things , human purposes , human desires . . . . The murderers ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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Palavras e frases frequentes
action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife