Tragic ReliefOxford University Press, 1932 - 233 páginas |
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Página 101
... incident , but , in the picture of this interaction , character is represented as playing a more aggressive and ... incident and shapes and moulds the plot , while in other forms of dramatic art incident seems to be the determining ...
... incident , but , in the picture of this interaction , character is represented as playing a more aggressive and ... incident and shapes and moulds the plot , while in other forms of dramatic art incident seems to be the determining ...
Página 122
... incident itself is not responsible for the tragedy , but the tragedy is the outcome of the reaction of an extraordinary character to an incident of a normal and customary kind that leads to no such results in every- day social life ...
... incident itself is not responsible for the tragedy , but the tragedy is the outcome of the reaction of an extraordinary character to an incident of a normal and customary kind that leads to no such results in every- day social life ...
Página 125
... incident to a tragic end . The opening circumstance of tragic drama is , no doubt , ' dramatic ' , and is some- thing that we scarcely , if at all , meet with in real life , but it is less extraordinary than the character of the person ...
... incident to a tragic end . The opening circumstance of tragic drama is , no doubt , ' dramatic ' , and is some- thing that we scarcely , if at all , meet with in real life , but it is less extraordinary than the character of the person ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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Palavras e frases frequentes
action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife