Tragic ReliefOxford University Press, 1932 - 233 páginas |
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Página 43
... inner motives and impulses ; presentation of ghosts and witches and other supernatural agencies / symbolism ; wealth of lyrical poetry ; etc. - which are all the exclusive features of tragedy and are ordinarily absent in other types of ...
... inner motives and impulses ; presentation of ghosts and witches and other supernatural agencies / symbolism ; wealth of lyrical poetry ; etc. - which are all the exclusive features of tragedy and are ordinarily absent in other types of ...
Página 91
... inner nature being set in conflict with outer action . It is Sir John Falstaff , the signal triumph of the dramatic art of neutralizing the unpleasant impression of the vile outer deeds of a person by the suggestion of an attractive inner ...
... inner nature being set in conflict with outer action . It is Sir John Falstaff , the signal triumph of the dramatic art of neutralizing the unpleasant impression of the vile outer deeds of a person by the suggestion of an attractive inner ...
Página 98
... inner conflict between these two contrary impulses , he at last makes the worse choice , and sends away the patient to be killed by a quack . The character of Dr Ridgeon would have been simply repulsive , and his action would have ...
... inner conflict between these two contrary impulses , he at last makes the worse choice , and sends away the patient to be killed by a quack . The character of Dr Ridgeon would have been simply repulsive , and his action would have ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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Palavras e frases frequentes
action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife