Tragic ReliefOxford University Press, 1932 - 233 páginas |
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Página 70
Praphulla Kumar Guha. CHAPTER VI THE TRAGIC CONFLICT ( INTERNAL ) RELATION BETWEEN EXTERNAL AND INTERNAL CONFLICT We have stated in the last chapter that tragic conflict is of two kinds , the one external and the other internal , the ...
Praphulla Kumar Guha. CHAPTER VI THE TRAGIC CONFLICT ( INTERNAL ) RELATION BETWEEN EXTERNAL AND INTERNAL CONFLICT We have stated in the last chapter that tragic conflict is of two kinds , the one external and the other internal , the ...
Página 87
... internal conflict in Macbeth and Lady Macbeth , the poet has made it absolutely clear that neither of them was fitted by nature for the role of a murderer ... internal struggle is necessary to arouse pity for a villain , INTERNAL CONFLICT 87.
... internal conflict in Macbeth and Lady Macbeth , the poet has made it absolutely clear that neither of them was fitted by nature for the role of a murderer ... internal struggle is necessary to arouse pity for a villain , INTERNAL CONFLICT 87.
Página 98
... conflict such as is presented in the play . VALUE OF INTERNAL CONFLICT AS SOURCE OF TRAGIC RELIEF The device of internal conflict has thus been con- stantly employed as an instrument of relief in tragic drama since the age of Elizabeth ...
... conflict such as is presented in the play . VALUE OF INTERNAL CONFLICT AS SOURCE OF TRAGIC RELIEF The device of internal conflict has thus been con- stantly employed as an instrument of relief in tragic drama since the age of Elizabeth ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife