Tragic ReliefOxford University Press, 1932 - 233 páginas |
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Página 165
... merely monstrous , without being terrible , are absolute strangers to the art of tragedy Therefore , all that ... mere repre- sentation of death on the stage is productive of horror . So long as a dramatist keeps himself within bounds ...
... merely monstrous , without being terrible , are absolute strangers to the art of tragedy Therefore , all that ... mere repre- sentation of death on the stage is productive of horror . So long as a dramatist keeps himself within bounds ...
Página 175
... mere dramatic device . We have seen that the supernatural has been presented sometimes as an objective reality and ... merely to serve the purpose of a prologue , as in the case of the ghost of Polydorus in the Hecuba of Euripides , 1 ...
... mere dramatic device . We have seen that the supernatural has been presented sometimes as an objective reality and ... merely to serve the purpose of a prologue , as in the case of the ghost of Polydorus in the Hecuba of Euripides , 1 ...
Página 177
... merely a dramatic device . Now what is the function of this special dramatic device that we meet with in tragedy ... merely stimulates a father , a son or a brother to an act of vengeance . The Witches in Macbeth merely strengthen ...
... merely a dramatic device . Now what is the function of this special dramatic device that we meet with in tragedy ... merely stimulates a father , a son or a brother to an act of vengeance . The Witches in Macbeth merely strengthen ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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Palavras e frases frequentes
action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife