Tragic ReliefOxford University Press, 1932 - 233 páginas |
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Página 32
... namely , the transmutation of pain into pleasure . If we analysed the thoughts of the philosophers that we have discussed above , we should find that they all approached tragedy from the same point of view , namely , the secret of the ...
... namely , the transmutation of pain into pleasure . If we analysed the thoughts of the philosophers that we have discussed above , we should find that they all approached tragedy from the same point of view , namely , the secret of the ...
Página 47
... namely , his exceptional personality , his clash with outer circum- stance , his inner conflict , and the domination of the plot of the play by the sway of his character . We shall pro- ceed to study these four phases , one after ...
... namely , his exceptional personality , his clash with outer circum- stance , his inner conflict , and the domination of the plot of the play by the sway of his character . We shall pro- ceed to study these four phases , one after ...
Página 226
... namely , its production of a high æsthetic pleasure , in spite of its having to deal with the pain and suffering of life . We first turned to the explanations of this phenomenon offered by some great philosophers , and pointed out the ...
... namely , its production of a high æsthetic pleasure , in spite of its having to deal with the pain and suffering of life . We first turned to the explanations of this phenomenon offered by some great philosophers , and pointed out the ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife