Tragic ReliefOxford University Press, 1932 - 233 páginas |
No interior do livro
Resultados 1-3 de 66
Página 87
... nature against their entry into a career of crime . They pay no heed to the warning , violate their natural instincts , and the tragedy follows as a natural consequence . We have dealt with the internal conflict in Macbeth at some ...
... nature against their entry into a career of crime . They pay no heed to the warning , violate their natural instincts , and the tragedy follows as a natural consequence . We have dealt with the internal conflict in Macbeth at some ...
Página 132
... nature of the plot Aristotle thinks of the nature of characters rather than of incidents . Again , while specify- ing the nature of the characters , he speaks of the dependence of incidents on the characters : ' Whenever such - and ...
... nature of the plot Aristotle thinks of the nature of characters rather than of incidents . Again , while specify- ing the nature of the characters , he speaks of the dependence of incidents on the characters : ' Whenever such - and ...
Página 183
... nature and force him to immediate action . The supernatural is thus studiously kept apart from the natural world in tragedy , and it is used only to create an awesome background of mystery and wonder for the natural world . The natural ...
... nature and force him to immediate action . The supernatural is thus studiously kept apart from the natural world in tragedy , and it is used only to create an awesome background of mystery and wonder for the natural world . The natural ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
6 outras secções não apresentadas
Outras edições - Ver tudo
Palavras e frases frequentes
action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife