Tragic ReliefOxford University Press, 1932 - 233 páginas |
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Página 36
... outer events of the piece is only the obverse of the picture , there being a reverse side , the play within the play , hidden from the physical eye , but presented in the most luminous colours to the imaginative vision of the audience ...
... outer events of the piece is only the obverse of the picture , there being a reverse side , the play within the play , hidden from the physical eye , but presented in the most luminous colours to the imaginative vision of the audience ...
Página 91
... outer action . It is Sir John Falstaff , the signal triumph of the dramatic art of neutralizing the unpleasant impression of the vile outer deeds of a person by the suggestion of an attractive inner character . The outer acts of ...
... outer action . It is Sir John Falstaff , the signal triumph of the dramatic art of neutralizing the unpleasant impression of the vile outer deeds of a person by the suggestion of an attractive inner character . The outer acts of ...
Página 137
... outer form , which , too , have developed into conventions in tragic drama . We shall examine them in this chapter , and attempt to show that the same principle of relief is involved in the customary features of the outer form of ...
... outer form , which , too , have developed into conventions in tragic drama . We shall examine them in this chapter , and attempt to show that the same principle of relief is involved in the customary features of the outer form of ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife