Tragic ReliefOxford University Press, 1932 - 233 páginas |
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Página 25
... passion , and charmed by eloquence , feels on the whole a strong movement , which is altogether delightful . ' He adds that in the case of tragedy there is a further source of pleasure in the fact that tragedy is an imitation , and ...
... passion , and charmed by eloquence , feels on the whole a strong movement , which is altogether delightful . ' He adds that in the case of tragedy there is a further source of pleasure in the fact that tragedy is an imitation , and ...
Página 215
... passion like this , and turned it into a source of æsthetic pleasure , was to convert it into a spiritual attachment , and raise it as far as possible above the level of sensuality . But all that Ford has done , through the utterances ...
... passion like this , and turned it into a source of æsthetic pleasure , was to convert it into a spiritual attachment , and raise it as far as possible above the level of sensuality . But all that Ford has done , through the utterances ...
Página 216
... passion for her brother above the level of sensual attraction . We can very well imagine the manner in which Shakespeare would have dealt with a theme like this , if at all he had chosen a subject so inherently repellent . He would have ...
... passion for her brother above the level of sensual attraction . We can very well imagine the manner in which Shakespeare would have dealt with a theme like this , if at all he had chosen a subject so inherently repellent . He would have ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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Palavras e frases frequentes
action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife