Tragic ReliefOxford University Press, 1932 - 233 páginas |
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Página 4
... picture of the tragedy of life is , therefore , likely to afflict the mind of the reader with a feeling of personal grief . The task of furnishing pleasure through a picture of pain is thus much harder for the tragic dramatist than for ...
... picture of the tragedy of life is , therefore , likely to afflict the mind of the reader with a feeling of personal grief . The task of furnishing pleasure through a picture of pain is thus much harder for the tragic dramatist than for ...
Página 36
... picture . The relation between the obverse and the reverse is that the distressing actions and sufferings that compose the former are coloured by the latter with a sort of extenuating and redeeming light . The two sides of the picture ...
... picture . The relation between the obverse and the reverse is that the distressing actions and sufferings that compose the former are coloured by the latter with a sort of extenuating and redeeming light . The two sides of the picture ...
Página 129
... picture of the naked truth about the relentlessness of fate . The subtle combination of the two impressions enables the tragedian to conform substantially to the truth of life , by suggesting the predominance of fate and at the same ...
... picture of the naked truth about the relentlessness of fate . The subtle combination of the two impressions enables the tragedian to conform substantially to the truth of life , by suggesting the predominance of fate and at the same ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife