Tragic ReliefOxford University Press, 1932 - 233 páginas |
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Página 37
... poetic world ' . The tragic dramatist creates a special poetic atmosphere and locates the events of the play in it , so that , in their special poetic setting ... Poetry , pp . 190 sqq . impulse , the inner mental conflict and the sway of.
... poetic world ' . The tragic dramatist creates a special poetic atmosphere and locates the events of the play in it , so that , in their special poetic setting ... Poetry , pp . 190 sqq . impulse , the inner mental conflict and the sway of.
Página 185
... poetry . In regard to this poetic style of tragic drama , we notice that not only is no distinction made between character and character and situation and situation , but that the highest poetic outbursts are reserved for the vilest of ...
... poetry . In regard to this poetic style of tragic drama , we notice that not only is no distinction made between character and character and situation and situation , but that the highest poetic outbursts are reserved for the vilest of ...
Página 230
... poetic beauties . It is the element of poetry in tragic drama that serves as the ultimate solvent of the pain of its sorrowful theme . And it is this element of poetry again that enables tragedy to achieve its ideal of higher realism ...
... poetic beauties . It is the element of poetry in tragic drama that serves as the ultimate solvent of the pain of its sorrowful theme . And it is this element of poetry again that enables tragedy to achieve its ideal of higher realism ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife