Tragic ReliefOxford University Press, 1932 - 233 páginas |
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Página 35
... principle at work in the shape of some analogous artistic devices , which , on analysis , are found to be effec- tive instruments for the softening of pain . In the con- ception of the tragic hero , the presentation of the tragic ...
... principle at work in the shape of some analogous artistic devices , which , on analysis , are found to be effec- tive instruments for the softening of pain . In the con- ception of the tragic hero , the presentation of the tragic ...
Página 198
Praphulla Kumar Guha. CHAPTER IX VIOLATION OF PRINCIPLES OF TRAGIC RELIEF In the last five chapters we have dealt with the various elements of the art of tragedy , and have tried to show that they involve a common principle of relief ...
Praphulla Kumar Guha. CHAPTER IX VIOLATION OF PRINCIPLES OF TRAGIC RELIEF In the last five chapters we have dealt with the various elements of the art of tragedy , and have tried to show that they involve a common principle of relief ...
Página 229
... principle of relief running through them all . Roughly speaking , it is a principle of double impression . This principle of relief , based on a duality of impression , regulates the conception of the substance of tragedy as well as of ...
... principle of relief running through them all . Roughly speaking , it is a principle of double impression . This principle of relief , based on a duality of impression , regulates the conception of the substance of tragedy as well as of ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife