Tragic ReliefOxford University Press, 1932 - 233 páginas |
No interior do livro
Resultados 1-3 de 51
Página 39
... produce on our minds a double impression with regard to him , and serve as an instru- ment of relief . This device of softening the painfulness of the suffer- ings of the hero by making him produce an impression . of being human and at ...
... produce on our minds a double impression with regard to him , and serve as an instru- ment of relief . This device of softening the painfulness of the suffer- ings of the hero by making him produce an impression . of being human and at ...
Página 91
... produce on us the double impression of a greedy usurer as well as of an ardent religious enthusiast . Besides Shylock , there is another character in Shake- spearean comedy who is made to produce a double impression like that of the ...
... produce on us the double impression of a greedy usurer as well as of an ardent religious enthusiast . Besides Shylock , there is another character in Shake- spearean comedy who is made to produce a double impression like that of the ...
Página 165
... produce what strikes us as being merely monstrous , without being terrible , are absolute strangers to the art of tragedy Therefore , all that Aristotle has suggested is that nothing should be presented on the stage which would produce ...
... produce what strikes us as being merely monstrous , without being terrible , are absolute strangers to the art of tragedy Therefore , all that Aristotle has suggested is that nothing should be presented on the stage which would produce ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
6 outras secções não apresentadas
Outras edições - Ver tudo
Palavras e frases frequentes
action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife