Tragic ReliefOxford University Press, 1932 - 233 páginas |
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Página 41
... represented both as the result of the sway of circumstance beyond the control of man , and as the product of the character and action of the person who suffers it . Accident and chance and supernatural forces are allowed to operate ...
... represented both as the result of the sway of circumstance beyond the control of man , and as the product of the character and action of the person who suffers it . Accident and chance and supernatural forces are allowed to operate ...
Página 98
... represented as deciding at once to have the patient killed by a charlatan , without passing through a process of mental conflict such as is presented in the play . VALUE OF INTERNAL CONFLICT AS SOURCE OF TRAGIC RELIEF The device of ...
... represented as deciding at once to have the patient killed by a charlatan , without passing through a process of mental conflict such as is presented in the play . VALUE OF INTERNAL CONFLICT AS SOURCE OF TRAGIC RELIEF The device of ...
Página 101
... represented as playing a more aggressive and decisive part . There is always a suggestion that it is the exceptional character of the hero that calls the tragic situation into being and leads the course of events to a disastrous close ...
... represented as playing a more aggressive and decisive part . There is always a suggestion that it is the exceptional character of the hero that calls the tragic situation into being and leads the course of events to a disastrous close ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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Palavras e frases frequentes
action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife