Tragic ReliefOxford University Press, 1932 - 233 páginas |
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Página 21
... says that Fontenelle was sensible of the difficulty in the position taken by Dubos , and had attempted an explana- tion which was an improvement upon that of Dubos . Fontenelle says that the heart naturally likes to be moved and ...
... says that Fontenelle was sensible of the difficulty in the position taken by Dubos , and had attempted an explana- tion which was an improvement upon that of Dubos . Fontenelle says that the heart naturally likes to be moved and ...
Página 112
Praphulla Kumar Guha. Helmer is frightened at her cold , fixed looks , and says : You alarm me , I don't understand ... say . ( What the world will say that is ever the primary concern of Helmer . ) NORA : I can pay no heed to that . I ...
Praphulla Kumar Guha. Helmer is frightened at her cold , fixed looks , and says : You alarm me , I don't understand ... say . ( What the world will say that is ever the primary concern of Helmer . ) NORA : I can pay no heed to that . I ...
Página 132
... says or does such and such a thing , it shall be the probable or necessary outcome of his character'.2 1 It is obvious , therefore , that the statement of Aristotle which is engaging our attention at present , should not be taken too ...
... says or does such and such a thing , it shall be the probable or necessary outcome of his character'.2 1 It is obvious , therefore , that the statement of Aristotle which is engaging our attention at present , should not be taken too ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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Palavras e frases frequentes
action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife