Tragic ReliefOxford University Press, 1932 - 233 páginas |
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Página 134
... seems indicated by a literal rendering of Aristotle , may not be that which he had in mind . He may not have been contrasting the plot , as a mere puzzle and solution , with the portrayal of individual human character , but he may ...
... seems indicated by a literal rendering of Aristotle , may not be that which he had in mind . He may not have been contrasting the plot , as a mere puzzle and solution , with the portrayal of individual human character , but he may ...
Página 138
... seems to be no room for the inclusion of anything light or comic . Apart from this , Aristotle's injunction with ... seem to preclude any breach of the unity of the serious theme of tragedy by the introduction into it of the incongruous ...
... seems to be no room for the inclusion of anything light or comic . Apart from this , Aristotle's injunction with ... seem to preclude any breach of the unity of the serious theme of tragedy by the introduction into it of the incongruous ...
Página 190
... seem to have lost all sense of the bond which unites him to other men , to have retained nothing save the blind instinct of the hunted beast'.1 1 Among the tragedies of Shakespeare his Macbeth seems to be most richly endowed with the ...
... seem to have lost all sense of the bond which unites him to other men , to have retained nothing save the blind instinct of the hunted beast'.1 1 Among the tragedies of Shakespeare his Macbeth seems to be most richly endowed with the ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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Palavras e frases frequentes
action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife