Tragic ReliefOxford University Press, 1932 - 233 páginas |
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Página 80
... serves to modify the horror and painfulness of the tragic deeds of the play . It saves the character of the noble tragic heroes , Hamlet , Brutus and Othello , dragged , in spite of them- selves , to play the part of murderers , by ...
... serves to modify the horror and painfulness of the tragic deeds of the play . It saves the character of the noble tragic heroes , Hamlet , Brutus and Othello , dragged , in spite of them- selves , to play the part of murderers , by ...
Página 87
... serves to humanize the hero , who would otherwise have impressed us as a veritable monster , and it saves his bloody deeds from giving us an unendurable shock . It restores the femini- nity of the heroine , who has to play in the drama ...
... serves to humanize the hero , who would otherwise have impressed us as a veritable monster , and it saves his bloody deeds from giving us an unendurable shock . It restores the femini- nity of the heroine , who has to play in the drama ...
Página 145
... serve as an indirect expression of the King's own thoughts of remorse and penitence , which he would fain express , but cannot by reason of his constitutional pride and obstinacy . The Fool thus serves as a mouthpiece for Lear , and his ...
... serve as an indirect expression of the King's own thoughts of remorse and penitence , which he would fain express , but cannot by reason of his constitutional pride and obstinacy . The Fool thus serves as a mouthpiece for Lear , and his ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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Palavras e frases frequentes
action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife