Tragic ReliefOxford University Press, 1932 - 233 páginas |
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Página 41
... shock of his villainous deeds . With regard to the catastrophe also the tragedian seeks to produce a double impression . It is represented both as the result of the sway of circumstance beyond the control of man , and as the product of ...
... shock of his villainous deeds . With regard to the catastrophe also the tragedian seeks to produce a double impression . It is represented both as the result of the sway of circumstance beyond the control of man , and as the product of ...
Página 155
... shock of it as far as possible . There is a brief conflict within the mind of Orestes before he proceeds to the deed . Such internal conflict is , as we have said in an earlier chapter , very rarely to be met with in ancient classical ...
... shock of it as far as possible . There is a brief conflict within the mind of Orestes before he proceeds to the deed . Such internal conflict is , as we have said in an earlier chapter , very rarely to be met with in ancient classical ...
Página 159
... shock of the murder , by restoring that faith in the essential goodness of man which the audience tend to lose at the sight of such a spectacle . The rudeness of the shock is further mitigated by a subtle hint , thrown out in course of ...
... shock of the murder , by restoring that faith in the essential goodness of man which the audience tend to lose at the sight of such a spectacle . The rudeness of the shock is further mitigated by a subtle hint , thrown out in course of ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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Palavras e frases frequentes
action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife