Tragic ReliefOxford University Press, 1932 - 233 páginas |
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Página 81
... soliloquies two passages from the soliloquies of Macbeth , bearing a significant verbal resemblance to those lines in Richard III : I am in blood Stepp'd in so far , that , should I wade no more , Returning were as tedious as go o'er ...
... soliloquies two passages from the soliloquies of Macbeth , bearing a significant verbal resemblance to those lines in Richard III : I am in blood Stepp'd in so far , that , should I wade no more , Returning were as tedious as go o'er ...
Página 205
... soliloquies . His reflections on the villainy of human character and the injustice of the world sound hollow and lack the ring of truth and of vigorous personal conviction that we find in the soliloquies of Hamlet . In short , Kyd fails ...
... soliloquies . His reflections on the villainy of human character and the injustice of the world sound hollow and lack the ring of truth and of vigorous personal conviction that we find in the soliloquies of Hamlet . In short , Kyd fails ...
Página 206
... soliloquies embodying general reflections on men and things . But here , too , there is no individualization of the hero ; Antonio does not impress us as having a definite character of his own , and only strikes us as a person whose ...
... soliloquies embodying general reflections on men and things . But here , too , there is no individualization of the hero ; Antonio does not impress us as having a definite character of his own , and only strikes us as a person whose ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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Palavras e frases frequentes
action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife