Tragic ReliefOxford University Press, 1932 - 233 páginas |
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Página 35
... struggle of a champion of the cause of humanity against the tyranny of a wicked god , the common foe of all mankind , must necessarily be of a more sublime kind than the pleasure yielded by a tragedy like Pinero's The Second Mrs ...
... struggle of a champion of the cause of humanity against the tyranny of a wicked god , the common foe of all mankind , must necessarily be of a more sublime kind than the pleasure yielded by a tragedy like Pinero's The Second Mrs ...
Página 60
... struggle between hostile forces engaged in a fierce contest with one another , culminating in a disastrous issue . Every tragedy presents the hero of the play as being powerfully assailed by an adverse environment , against which he ...
... struggle between hostile forces engaged in a fierce contest with one another , culminating in a disastrous issue . Every tragedy presents the hero of the play as being powerfully assailed by an adverse environment , against which he ...
Página 215
... struggle is attributed to either to redeem the wicked act , in the manner in which internal conflict is introduced by Shakespeare , in a play like Macbeth , in order to extenuate the monstrous deeds of the play . When Giovanni first ...
... struggle is attributed to either to redeem the wicked act , in the manner in which internal conflict is introduced by Shakespeare , in a play like Macbeth , in order to extenuate the monstrous deeds of the play . When Giovanni first ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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Palavras e frases frequentes
action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife