Tragic ReliefOxford University Press, 1932 - 233 páginas |
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Página 166
... supernatural in comedies of the orthodox type , such as Twelfth Night and Much Ado About Nothing . In tragedies , however , the presence of the supernatural is the rule , with , of course , occasional exceptions , as in Othello or King ...
... supernatural in comedies of the orthodox type , such as Twelfth Night and Much Ado About Nothing . In tragedies , however , the presence of the supernatural is the rule , with , of course , occasional exceptions , as in Othello or King ...
Página 177
... supernatural introduced into tragic drama . The very fact that there is such a wide variance in the nature and function of the supernatural employed in different plays by the same author , and even in different parts of the same play ...
... supernatural introduced into tragic drama . The very fact that there is such a wide variance in the nature and function of the supernatural employed in different plays by the same author , and even in different parts of the same play ...
Página 179
... supernatural agency , was it worth while to introduce it at all ? In reality , the function of the supernatural in Shake- speare is most important ; but it is a function addressed not to the persons in the story , but to the spectators ...
... supernatural agency , was it worth while to introduce it at all ? In reality , the function of the supernatural in Shake- speare is most important ; but it is a function addressed not to the persons in the story , but to the spectators ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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Palavras e frases frequentes
action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife