Tragic ReliefOxford University Press, 1932 - 233 páginas |
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Página 14
... theory would make it out to be . In the next place , even judged by the metaphysical standard set up by Schopenhauer , his theory is too esoteric to be acceptable as an explana- tion of the wide universal appeal of tragedy , for tragedy ...
... theory would make it out to be . In the next place , even judged by the metaphysical standard set up by Schopenhauer , his theory is too esoteric to be acceptable as an explana- tion of the wide universal appeal of tragedy , for tragedy ...
Página 24
... theories of Fontenelle and Dr Johnson are too prosaic , the theory of Shelley is too poetic . Now to return to David Hume . He recognizes the theory of Fontenelle as an improvement upon that of Dubos , in that the former differentiates ...
... theories of Fontenelle and Dr Johnson are too prosaic , the theory of Shelley is too poetic . Now to return to David Hume . He recognizes the theory of Fontenelle as an improvement upon that of Dubos , in that the former differentiates ...
Página 29
... theory may not be ' as infallible as the elements of Euclid ' , as Lessing thought it to be , he is still to be looked upon as ' the great authority of authori- on the subject which is engaging our attention . Aristotle holds that the ...
... theory may not be ' as infallible as the elements of Euclid ' , as Lessing thought it to be , he is still to be looked upon as ' the great authority of authori- on the subject which is engaging our attention . Aristotle holds that the ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife