Tragic ReliefOxford University Press, 1932 - 233 páginas |
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Página 19
... things . Nietzsche says that tragedy has its birth in a mystical sense of the oneness of all existing things : but the problem for the literary student is , ' What are the forms and devices by which the tragic dramatist images in art ...
... things . Nietzsche says that tragedy has its birth in a mystical sense of the oneness of all existing things : but the problem for the literary student is , ' What are the forms and devices by which the tragic dramatist images in art ...
Página 65
... things of an extraordinary kind . By making the sufferings of his hero arise from a conflict in a situation of such an exceptional type , the tragic dramatist considerably modifies the painfulness of his picture , for the audience are ...
... things of an extraordinary kind . By making the sufferings of his hero arise from a conflict in a situation of such an exceptional type , the tragic dramatist considerably modifies the painfulness of his picture , for the audience are ...
Página 149
... things is not horror and gloom , but mirth and joy . The entire tragedy is converted thereby into a sort of aberration , a temporary suspension of the normal order of things , an exception to the rule of beauty and love . The introduc ...
... things is not horror and gloom , but mirth and joy . The entire tragedy is converted thereby into a sort of aberration , a temporary suspension of the normal order of things , an exception to the rule of beauty and love . The introduc ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife