Tragic ReliefOxford University Press, 1932 - 233 páginas |
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Página 36
... thrown upon them from this reverse side of the picture . The relation between the obverse and the reverse is that the distressing actions and sufferings that compose the former are coloured by the latter with a sort of extenuating and ...
... thrown upon them from this reverse side of the picture . The relation between the obverse and the reverse is that the distressing actions and sufferings that compose the former are coloured by the latter with a sort of extenuating and ...
Página 63
... throwing him into a fierce struggle against it . In Julius Caesar , Brutus , the hero , finds himself con- fronted with ... thrown out of joint , where intrigue and crime are the prevailing rule , and where the hero's own mother by her ...
... throwing him into a fierce struggle against it . In Julius Caesar , Brutus , the hero , finds himself con- fronted with ... thrown out of joint , where intrigue and crime are the prevailing rule , and where the hero's own mother by her ...
Página 71
... thrown by the situation of the play , gives rise to a debate of contending spirits within his soul , and he is violently shaken and tossed by it . The state of internal conflict into which Brutus is thrown in Julius Caesar , and which ...
... thrown by the situation of the play , gives rise to a debate of contending spirits within his soul , and he is violently shaken and tossed by it . The state of internal conflict into which Brutus is thrown in Julius Caesar , and which ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife