King John: New PerspectivesDeborah T. Curren-Aquino University of Delaware Press, 1989 - 205 páginas Illuminating Shakespeare's complex experimentation with the dramatic genre of history, these twelve essays bring such time-honored critical methods as source study and concentration on genre, imagery and language, theme, and character together with more current techniques based on historiography, the new historicism, feminism, pragmatics, performance history, and perspectivism. |
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Página 126
... figure who Danby suggests constitutes the bridge between the tetralogies is the Bastard . But since Danby is largely interested in the generation of the character of Edmund in Lear , he never comes to grips with the split between what ...
... figure who Danby suggests constitutes the bridge between the tetralogies is the Bastard . But since Danby is largely interested in the generation of the character of Edmund in Lear , he never comes to grips with the split between what ...
Página 127
... figure run the gamut.5 First he seems a fair adjudicator between the brothers Faulconbridge , next a crude dealer willing to give up the better half of his kingdom to win clear possession of a crown he can never in good conscience call ...
... figure run the gamut.5 First he seems a fair adjudicator between the brothers Faulconbridge , next a crude dealer willing to give up the better half of his kingdom to win clear possession of a crown he can never in good conscience call ...
Página 201
... figure , 22– 23 , 38 , 178-79 , 184 n . 17 ; in the Oregon Shakespeare Festival 1969 production , 169 ; political realism of , 30 , 32 , 36-37 , 124-25 ; religious con- version of , 101–2 , 106–7 ; as Renais- sance individualist , 67 ...
... figure , 22– 23 , 38 , 178-79 , 184 n . 17 ; in the Oregon Shakespeare Festival 1969 production , 169 ; political realism of , 30 , 32 , 36-37 , 124-25 ; religious con- version of , 101–2 , 106–7 ; as Renais- sance individualist , 67 ...
Índice
Preface | 9 |
The Historiographic Methodology of King John | 29 |
A Reexamination | 41 |
Direitos de autor | |
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Palavras e frases frequentes
Arden Arthur Arthur's death audience Bastard becomes Blanch blesome Raigne Burckhardt Calderwood ceremony character Charles Kemble Chatillion Church cited in Furness citizens of Angiers claim Claire Bloom Constance Constance's critics Death of King depicts director Dolphin dramatic Drury Lane E. A. J. Honigmann E. M. W. Tillyard Eamon Grennan Elinor Elizabethan England English lords essay F. R. Benson Faulconbridge Festival France French heaven Helen Faucit historiographic Hubert innocent John's reign Kemble King John king's kingship legitimacy Lewis London Macready's majesty Manheim medieval moral mother nobles Pandulph past patriarchal patriotism pattern perspective Philip play's political present production question Renaissance rhetoric Richard Richard II Robert role royal Salisbury scene Shake Shakespeare Memorial Theatre Shakespeare Quarterly Shakespeare's History Plays Shakespeare's King John Shakespearean Meanings Siddons Siddons's speaks speare's spectator speech acts stage Stratford-upon-Avon subversive tetralogy Theatre thee thou throne tion Troublesome Raigne Tudor verbal voice Waith women words
Referências a este livro
Shakespeare's History Plays: Performance, Translation and Adaptation in ... A. J. Hoenselaars Pré-visualização limitada - 2004 |
Begging to Differ: Modes of Discrepancy in Shakespeare David S. Thatcher Visualização de excertos - 1999 |