King John: New PerspectivesDeborah T. Curren-Aquino University of Delaware Press, 1989 - 205 páginas Illuminating Shakespeare's complex experimentation with the dramatic genre of history, these twelve essays bring such time-honored critical methods as source study and concentration on genre, imagery and language, theme, and character together with more current techniques based on historiography, the new historicism, feminism, pragmatics, performance history, and perspectivism. |
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Página 12
... production marked the fourth time the Oregon Shakespearean Fes- tival ( founded in 1935 ) staged the play ; there was also a production in the same year in Berlin at the Theater im Palast ; and the BBC version that aired in the United ...
... production marked the fourth time the Oregon Shakespearean Fes- tival ( founded in 1935 ) staged the play ; there was also a production in the same year in Berlin at the Theater im Palast ; and the BBC version that aired in the United ...
Página 149
... production of King John , which opened at Drury Lane on 24 October 1842 and had the last of its twenty - six performances on 15 May 1843. His essays on the women characters in King John and their representation in Macready's production ...
... production of King John , which opened at Drury Lane on 24 October 1842 and had the last of its twenty - six performances on 15 May 1843. His essays on the women characters in King John and their representation in Macready's production ...
Página 171
... production , but I would do my best to present a King John that would speak more pen- etratingly to the " ordering of this present time . " Notes 1. Charles H. Shattuck , William Charles Macready's " King John " ; and Arthur Colby ...
... production , but I would do my best to present a King John that would speak more pen- etratingly to the " ordering of this present time . " Notes 1. Charles H. Shattuck , William Charles Macready's " King John " ; and Arthur Colby ...
Índice
Preface | 9 |
The Historiographic Methodology of King John | 29 |
A Reexamination | 41 |
Direitos de autor | |
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Palavras e frases frequentes
Arden Arthur Arthur's death audience Bastard becomes Blanch blesome Raigne Burckhardt Calderwood ceremony character Charles Kemble Chatillion Church cited in Furness citizens of Angiers claim Claire Bloom Constance Constance's critics Death of King depicts director Dolphin dramatic Drury Lane E. A. J. Honigmann E. M. W. Tillyard Eamon Grennan Elinor Elizabethan England English lords essay F. R. Benson Faulconbridge Festival France French heaven Helen Faucit historiographic Hubert innocent John's reign Kemble King John king's kingship legitimacy Lewis London Macready's majesty Manheim medieval moral mother nobles Pandulph past patriarchal patriotism pattern perspective Philip play's political present production question Renaissance rhetoric Richard Richard II Robert role royal Salisbury scene Shake Shakespeare Memorial Theatre Shakespeare Quarterly Shakespeare's History Plays Shakespeare's King John Shakespearean Meanings Siddons Siddons's speaks speare's spectator speech acts stage Stratford-upon-Avon subversive tetralogy Theatre thee thou throne tion Troublesome Raigne Tudor verbal voice Waith women words
Referências a este livro
Shakespeare's History Plays: Performance, Translation and Adaptation in ... A. J. Hoenselaars Pré-visualização limitada - 2004 |
Begging to Differ: Modes of Discrepancy in Shakespeare David S. Thatcher Visualização de excertos - 1999 |