King John: New PerspectivesDeborah T. Curren-Aquino University of Delaware Press, 1989 - 205 páginas Illuminating Shakespeare's complex experimentation with the dramatic genre of history, these twelve essays bring such time-honored critical methods as source study and concentration on genre, imagery and language, theme, and character together with more current techniques based on historiography, the new historicism, feminism, pragmatics, performance history, and perspectivism. |
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Página 58
... stage and that the author of TR expanded on the business . It is , however , very much likelier that the stage direction is vestigial and owes its presence to the TR original . Thomas's conclusion remains the most convincing explanation ...
... stage and that the author of TR expanded on the business . It is , however , very much likelier that the stage direction is vestigial and owes its presence to the TR original . Thomas's conclusion remains the most convincing explanation ...
Página 91
... stage- craft but does not urge them . Reporting on the play's stage history , Eugene M. Waith remarks of Macready's 1823 production , “ The pageantry of court scenes and marching armies , the movement of large numbers of people across ...
... stage- craft but does not urge them . Reporting on the play's stage history , Eugene M. Waith remarks of Macready's 1823 production , “ The pageantry of court scenes and marching armies , the movement of large numbers of people across ...
Página 167
... stage - managed the produc- tion directed by Richard Risso . Ten years later , I directed the produc- tion , stage - managed by Pat Patton , who directed the fourth produc- tion sixteen years later in 1985. Although this chain of events ...
... stage - managed the produc- tion directed by Richard Risso . Ten years later , I directed the produc- tion , stage - managed by Pat Patton , who directed the fourth produc- tion sixteen years later in 1985. Although this chain of events ...
Índice
Preface | 9 |
The Historiographic Methodology of King John | 29 |
A Reexamination | 41 |
Direitos de autor | |
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Palavras e frases frequentes
Arden Arthur Arthur's death audience Bastard becomes Blanch blesome Raigne Burckhardt Calderwood ceremony character Charles Kemble Chatillion Church cited in Furness citizens of Angiers claim Claire Bloom Constance Constance's critics Death of King depicts director Dolphin dramatic Drury Lane E. A. J. Honigmann E. M. W. Tillyard Eamon Grennan Elinor Elizabethan England English lords essay F. R. Benson Faulconbridge Festival France French heaven Helen Faucit historiographic Hubert innocent John's reign Kemble King John king's kingship legitimacy Lewis London Macready's majesty Manheim medieval moral mother nobles Pandulph past patriarchal patriotism pattern perspective Philip play's political present production question Renaissance rhetoric Richard Richard II Robert role royal Salisbury scene Shake Shakespeare Memorial Theatre Shakespeare Quarterly Shakespeare's History Plays Shakespeare's King John Shakespearean Meanings Siddons Siddons's speaks speare's spectator speech acts stage Stratford-upon-Avon subversive tetralogy Theatre thee thou throne tion Troublesome Raigne Tudor verbal voice Waith women words
Referências a este livro
Shakespeare's History Plays: Performance, Translation and Adaptation in ... A. J. Hoenselaars Pré-visualização limitada - 2004 |
Begging to Differ: Modes of Discrepancy in Shakespeare David S. Thatcher Visualização de excertos - 1999 |