Commerce, Literature and Art: A DiscourseJ. Murphy, 1848 - 52 páginas |
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Página 7
... experiences when he shuts the door of his dwelling and nestles in the familiar chair that stands ready , with its capa- cious arms , to receive him in the kindly circle gath- ered around his hearth stone . Nor is this sentiment of home ...
... experiences when he shuts the door of his dwelling and nestles in the familiar chair that stands ready , with its capa- cious arms , to receive him in the kindly circle gath- ered around his hearth stone . Nor is this sentiment of home ...
Página 11
... not content with mere information , although that is one of its main reliances ; but it looks to Phi- losophy as the analysis of human action , -to Poetry , as the vehicle of sentiment and experience to the human 11.
... not content with mere information , although that is one of its main reliances ; but it looks to Phi- losophy as the analysis of human action , -to Poetry , as the vehicle of sentiment and experience to the human 11.
Página 12
... experience contained in this short para- graph ! It is a sentence which nearly banishes a man from the fields of wealth , for it seems to deny the possibility of the concurrent lives of thought and action . The " bookish " man cannot be ...
... experience contained in this short para- graph ! It is a sentence which nearly banishes a man from the fields of wealth , for it seems to deny the possibility of the concurrent lives of thought and action . The " bookish " man cannot be ...
Página 14
... experience and reflection . Men of talent talk the results of other men's minds ; and , thus , in a country where there are few habitual students , where there are few professed authors , — where all are mere writers , -where there is ...
... experience and reflection . Men of talent talk the results of other men's minds ; and , thus , in a country where there are few habitual students , where there are few professed authors , — where all are mere writers , -where there is ...
Página 16
... student who had exhausted the experience of the world with- out the dread of being " bookish . " It was the opin- ion that cultivation and business moved hand in hand , —and that Cicero could criticise the texture of 16.
... student who had exhausted the experience of the world with- out the dread of being " bookish . " It was the opin- ion that cultivation and business moved hand in hand , —and that Cicero could criticise the texture of 16.
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20 feet acquire Address ages American ancestry antiquity Architect Architecture artist authors B. C. WARD balconies BALTIMORE ATHENÆUM beautiful become biography bookish BRANTZ MAYER building C. J. M. EATON cast iron century character Christian Cicero Commerce copy-right cornice correspondence crave cultivation devoted disclose dress dwelling edifice erected exalted false forever fortune furniture Gallery genius GEORGE BROWN GEORGE W glazed hieroglyphic human Idolatry imitate individual intellectual labor Library Company Library Room literary Literature and Art magnificent Maryland Historical Society means Mercantile Library Association merchant mind MORRISON HARRIS OCTOBER 23 painter painting patronage perpetual political posterity preciation principles pursuits Reading recompense Robert Cary Long scholar sculptors selfishness sentiment Solon sonal soul speak Spear Smith spirit stairway student style talent taste thing thought tion true truth ture vanity vidual walls Walpole wealth whilst WILLIAM E William Rodewald YORK PUBLIC LIBRARY
Passagens conhecidas
Página 25 - ... vanity. But there is also a moral and philosophical respect for our ancestors, which elevates the character and improves the heart. Next to the sense of religious duty and moral feeling, I hardly know what should bear with stronger obligation on a liberal and enlightened mind than a consciousness of alliance with excellence which...
Página 25 - ... future. Neither the point of time nor the spot of earth, in which we physically live, bounds our rational and intellectual enjoyments. We live in the past by a knowledge of its history, and in the future by hope and anticipation. By ascending to an association with our ancestors ; by contemplating their example and studying their character ; by partaking...
Página 12 - America to the world — in advising a young friend, at the outset of his life, that, " nothing is more perilous in America than to be too long learning, or to get the name of bookish.
Página 25 - There may be, and there often is, indeed, a regard for ancestry, which nourishes only a weak pride; as there is also a care for posterity, which only disguises an habitual avarice, or hides the workings of a low and groveling vanity. But there is also a moral and philosophical respect for our ancestors, which elevates the character and improves the heart.
Página 20 - All his wealth is in paper, — paper like bad scrip, marked with a high nominal amount, but useless in exchange and repudiated in real traffic. The great scholar is often an intellectual miser, who expends the spiritual energy that might make him a hero, upon the detection of a wrong dot, a false syllable, or an inaccurate word.
Página 24 - History is the biography of nations. It contains the germ of the future sown in the soil of the past. It is a solemn lesson of political, personal and national experience.
Página 25 - ... a disregard of our forefathers seems to be an actual courting of oblivion for ourselves, — a clear intimation to those who come after, that they are neither to reverence our example nor to be warned by our errors.
Página 17 - Cicero would have been Cicero had he never been consul. Place gave nothing to him but the chance to save his country. It can bestow no fame ; for fame is won by the qualities that should win place; whilst place is too often won by the tricks that should condemn the practicer.
Página 27 - They become receptacles of fact, into which the honest and industrious student may freely come and carefully collate the discordant materials that have been accumulated, with commendable industry, for future use.
Página 35 - ... all they were to dread and all they were to hope. In Rome, nay, throughout Italy, art is a religion, and painters are a hieroglyphic priesthood, inspired by heaven and divine by that inspiration. The monk preaches from the pulpit with temporary unction, while the painter preaches forever from the walls and canvass of church or chapel! The one is a temporal teacher whose ministry passes with his life ; the other is an orator, eloquent during all time. The one is a minister, with all the frailties...