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TAMING OF THE SHREW.
There is an old anonymous play extant, with the same title, first printed in 1596, which (as in the case of King John and Henry V.) Shakspeare rewrote, "adopting the order of the scenes, and inserting little more than a few lines which he thought worth preserving, or was in too much haste to alter.” Malone, with great probability, suspects the old play to have been the production of George Peele or Robert Greene.* Pope ascribed it to Shakspeare, and his opinion was current for many years, until a more exact examination of the original piece (which is of extreme rarity) undeceived those who were better versed in the literature of the time of Elizabeth than the poet. It is remarkable that the Induction, as it is called, has not been continued by Shakspeare so as to complete the story of Sly, or at least it has not come down to us; and Pope, therefore, supplied the deficiencies in this play from the elder performance: they have been degraded from their station in the text, as in some places incompatible with the fable and Dramatis Persone of Shakspeare; the reader will, however, be pleased to find them subjoined to the notes. The origin of this amusing fiction may probably be traced to the sleeper awakened of the Arabian Nights: but similar stories are told of Philip the good Duke of Burgundy, and of the Emperor Charles the Fifth. Marco Polo relates something similar of the Ismaelian Prince Alo-eddin, or chief of the mountainous region, whom he calls, in common
* There was a second edition of the anonymous play in 1607; and the curious reader may consult it, in “Six Old Plays upon which Shakspeare founded,” &c., published by Steevens.