The dramatic (poetical) works of William Shakspeare; illustr., embracing a life of the poet and notes, Volume 2 |
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William Shakespeare. CONTENTS . MIDSUMMER - NIGHT ' S DREAM . . . . . . .
LOVE ' S LABOR ' S LOST . . . . . . . . . MERCIANT OF VENICE . . . . . . . . . . . . AS
YOU LIKE IT . . . . . ALL ' S WELL THAT ENDS WELL . . TAMING OF THE SHREW
.
William Shakespeare. CONTENTS . MIDSUMMER - NIGHT ' S DREAM . . . . . . .
LOVE ' S LABOR ' S LOST . . . . . . . . . MERCIANT OF VENICE . . . . . . . . . . . . AS
YOU LIKE IT . . . . . ALL ' S WELL THAT ENDS WELL . . TAMING OF THE SHREW
.
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UMMER - NIGHT ' S DREAM . MINARY REMARKS . of this play to have been the
invention of his commentators has failed to trace the 2 . Steevens says that the
hint for it was Knight ' s Tale . fam , ” says Schlegel , “ there flows a nost fantastical
...
UMMER - NIGHT ' S DREAM . MINARY REMARKS . of this play to have been the
invention of his commentators has failed to trace the 2 . Steevens says that the
hint for it was Knight ' s Tale . fam , ” says Schlegel , “ there flows a nost fantastical
...
Página 3
MIDSUMMER - NIGHT ' S DREAM . PRELIMINARY REMARKS . We may
presume the plot of this play to have been the invention of Shakspeare , as the
diligence of his commentators has failed to trace the sources from whence it is
derived .
MIDSUMMER - NIGHT ' S DREAM . PRELIMINARY REMARKS . We may
presume the plot of this play to have been the invention of Shakspeare , as the
diligence of his commentators has failed to trace the sources from whence it is
derived .
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The dramatic (poetical) works of William Shakspeare; illustr ..., Volume 1 William Shakespeare Visualização integral - 1850 |
The dramatic (poetical) works of William Shakspeare; illustr ..., Volume 3 William Shakespeare Visualização integral - 1850 |
The dramatic (poetical) works of William Shakspeare; illustr ..., Volume 5 William Shakespeare Visualização integral - 1850 |
Palavras e frases frequentes
answer appears Attendants Bass bear better Biron blood Boyet bring comes Cost Count court daughter dear death desire doth Duke Enter Exeunt Exit eyes face fair faith father fear follow fool fortune friends gentle give gone grace hand hast hath head hear heart Heaven hold honor hope I'll Kath keep kind King lady leave live look lord lovers madam marry master means mistress Moth nature never night play poor pray present ring Rosalind SCENE sense Servant serve Shakspeare speak stand stay sweet tell thank thee thing thou thou art thought tongue Touch true turn unto wife woman young youth
Passagens conhecidas
Página 287 - With spectacles on nose, and pouch on side ; His youthful hose, well saved, a world too wide For his shrunk shank ; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound : last scene of all, That ends this strange eventful history, Is second childishness, and mere oblivion ; Sans teeth, sans eyes, sans taste, sans everything.
Página 20 - Since once I sat upon a promontory, And heard a mermaid, on a dolphin's back, Uttering such dulcet and harmonious breath, That the rude sea grew civil at her song ; And certain stars shot madly from their spheres, To hear the sea-maid's music.
Página 271 - The seasons' difference ; as, the icy fang, And churlish chiding of the winter's wind ; Which when it bites and blows upon my body, Even till I shrink with cold, I smile, and say, — This is no flattery : these are counsellors, That feelingly persuade me what I am.
Página 165 - When shepherds pipe on oaten straws And merry larks are ploughmen's clocks, When turtles tread, and rooks, and daws, And maidens bleach their summer smocks The cuckoo then, on every tree, Mocks married men; for thus sings he, Cuckoo; Cuckoo, cuckoo: O word of fear, Unpleasing to a married ear!
Página 175 - If to do, were as easy as to know what were good to do, chapels had been churches, and poor men's cottages princes' palaces. It is a good divine that follows his own instructions. I can easier teach twenty what were good to be done, than be one of the twenty to follow mine own teaching.