On Eagle's WING, — Current Notes, p. 76, Pope in SHAKESPEARE's Puck, or Robin GOODFELLOW. one of his usually caustic lines, has The following ballad, that Bishop Percy supposed to "On eagle's wing immortal Scandal flies.' have been originally intended for some masque, was A fable or story I remember to have heard as a boy, doubtless popular in the days of Dick Tarlton, who died but which I never have seen in print, suggests itself to in September, 1588, and was, without doubt, the source me as a probable germ from which the idea of the whence Shakespeare derived many of the points he has wren perched on eagle's wing' may be taken. It is to embodied in the character of Puck, more particularly of the effect, that once upon a time, the birds being in a the traces which are shown, in the third act of his state of anarchy for want of a king, determined to elect“ Midsummer Night's Dream." An anonymous tract, him who could soar the highest. The eagle, upon this, possibly by Henry Chettle, entitled “Tarlton's Newes mounted aloft, and had attained his utmost elevation, out of Purgatorie," published by an old companion of apparently far above that of any other eompetitor, when his, Robin Goodfellow, entered on the Stationers' books, a wren, who had concealed himself under his wing in June 26, 1590, and printed without date in that year, anticipation of the result, hopped out, and, rising a little as in the same year appeared “The Cobbler of Canterhigher than the eagle, exclaimed, “ I'm king of the burie,” an answer, or rather as the titlepage asserts, birds." The Latin and French names for this bird, "an invective against Tarlton's Newes out of Purgaregulus and roitelet, inay possibly owe their source to torie.'” After the “ Cobbler's Epistle to the Gentleman some similar fable, though the tuft of the golden-crested Readers,” follows Robin Goodfellow's epistle, subscribed wren may also have contributed to them. C. S. “ Yours in choller !" This is an invective on the crank The following lines will also probably recur to our feats of the cobbler in his abuse of Robin's associate, Dick Tarleton; “A cobler become a corrector ! ho, correspondent : ho, ho! it was not so when Robin Goodfellow was a Why does the eagle hold his flight, ruffler, and helpt the country wenches to grinde their To meet the sun's meridian height, mault." Here, it will be observed, occurs the whimsiWith such exulting glee? cal laughing jocund ho, ho, ho, that terminates every 'Tis not, as poets have averr'd, Because he is the regal bird ; last line, in each verse of the ballad. It is because-he's free! The Mad Merry PRANKS OF Robin GOODFELLOW. ROLE BRITANNIA,' Current Notes, p. 90, was writ To the Tune of Dulcina. ten by James Thomson, the author of The Seasons, for From Oberon in Fairy Land, the masque of Alfred, the joint production of Thomson The King of ghosts and shadows there, and Mallet. The masque was written at the command Mad Robin, I, at his command, of Frederick, Prince of Wales, father of King George Am sent to view the night sports here ; What revel rout, the Third ; and first performed in 1740, at Cliefden Is kept about, House, Buckinghamshire, on the anniversary of the In every corner where I go, Princess Augusta's birthday. Dr. Arne composed the I will o'er see music. And merry be ; Bristol. J. K. R. W. And make good sport, with Ho, ho, ho ! Hogarth designed and engraved the invitation ticket to More swift than lightning can I fly, this performance; it is known as entitled Hymen and And 'bout this ayrie welkin soon : Cupid.' The view in the distance is of Cliefden House. And in a minute's space descry Hogarth used the same plate in 1754 as a receipt print for Each thing that's done beneath the moon, his Election Entertainment. ED. Thus not a Hag, Nor Ghost sball wag, PILLAR SAINTS OF THE FIFTH CENTURY.-Can any Nor cry, ware Goblin ! where I go, of your correspondents kindly direct me as to where But Robin, I, may be found confirmation of what Cedrenus writes Their feats will spy, concerning the pillar saints of the fifth century, on the And fear them home with Ho, ho, ho ! northern shores of the Sea of Marmora, and as to how If any wanderers I meet, and by whom were these pillars constructed, and how That from their night sports do trudge home, were they sustained upon them? With counterfeiting voice I greet, Butler, in his so-called Lives of the Saints, leaves And cause them on with me to roam ; us to consider their history to be little more than a Through woods, through lakes, popish legend. I would also ask, What was the end of Through bogs, through brakes, Peter the Hermit, of Crusade celebrity ? H. M. O'er bush and briar, with them I go; I call upon Them to come on, DALLÆUS, Current Notes, p, 40.- No translation. And wend me laughing Ho, ho, ho ! Sometimes I meet them like a man, To them that they had wronged so : When I have done I get me gone, And leave them scolding, Ho, ho, ho ! When men do traps and engines set In loop holes where the vermin creep, That from their folds and houses get Their ducks and geese, their lambs and sheep; I spy the gin And enter in And seem a vermin taken so ; But when they there Approach me near, I leap out laughing Ho, ho, ho ! By wells and gils in meadows green, We nightly dance our heyday guise, And to our Fairy King and Queen, We chant our moonlight harmonies ; When larks 'gin sing Away we fling, And babes new born steal as we go; An elf in bed We leave instead, And wend us laughing Ho, ho, ho ! From hag-bred Merlin's time have I, Thus nightly revell’d to and fro; And for my pranks men call me by The name of Robin Good-fellow; Fiends, ghosts and sprites That haunt the nights, The hags and goblins do me know, And beldames old My feats have told, So Vale, Vale, Ho, ho, ho! London, printed for H. G. H. G. are doubtless the initials of Henry Gosson whose imprint to several early ballads, intimate his Then forth I fly, “ dwelling upon London Bridge, nere the Gate," the And loudly laugh 1, Ho, ho, bo! end next to Southwark. When any need to borrow aught We lend them what they do require, DEER-STEALING.— The assertion of Shakespeare's And for the use demand we nought, propensity to steal deer, is possibly, after all, nothing Our own is all we do desire; more than a detractive fiction. Rainoldes, in his OuerIf to repay, throw of Stage Playes, 1599, notices, Time of recreaThey do delay, tion is necessary, I grant, for schollars, yet in my Abroad amongst them, then I go; opinion it were not fit for them to steale deere, or rob And night by night orchards.' LADIES' BUSTLES are of Persian origin. Nott, in his When lazy Queans have nought to do, Notes on the Odes of Hafiz, defines this “refaight" as But study how to cog and lie, a kind of bolster, which the Persian ladies fix to the To make debate and mischief too under-garment, to produce a certain roundness, thought Twixt one another secretly. by them to be highly becoming. F.S.A.--The Antinous ? gilded bronze statue, was proffered by the Woodburns to the British Museumi . Query, clay cold? Bp. Percy, in his version, from a Trustees, for one thousand pounds, but, as stated was ! black letter copy in the Museum, printed in the Reliques, rejected. 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