Adapting to the Stage: Theatre and the Work of Henry JamesAshgate, 2000 - 195 páginas The American novelist and playwright, Henry James, was drawn to the theatre and the shifting conventions of drama throughout his writing career. This study demonstrates that from the 1890s onwards James concentrated on adapting his novels and stories to and from the stage, and increasingly employed metaphors that spoke of novel-writing in terms of playwriting. Christopher Greenwood argues that these metaphors helped James to conceive himself as an artist who composed characters dramatically and visually, and in doing so sets his novels significantly apart from those of his contemporaries. |
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Página 21
... awkwardness with others as each plays his separate part in this collective game.30 James's The Awkward Age and the texts that lead up to it , the stories and novellas of the 1890s , play a significant role in establishing this ...
... awkwardness with others as each plays his separate part in this collective game.30 James's The Awkward Age and the texts that lead up to it , the stories and novellas of the 1890s , play a significant role in establishing this ...
Página 101
... Awkward Age , took off in late 1907. Over the next three years he devoted himself to writing plays again and produced four of them , had two staged and wrote the lengthy scenario for a fifth . The Preface to The Awkward Age bears a ...
... Awkward Age , took off in late 1907. Over the next three years he devoted himself to writing plays again and produced four of them , had two staged and wrote the lengthy scenario for a fifth . The Preface to The Awkward Age bears a ...
Página 139
... Awkward Age , this way of thinking has proved revealing . It is not in the least difficult to see them related to stories at the beginning of the period , like 1889's The Solution , with their restricted number of locations and ...
... Awkward Age , this way of thinking has proved revealing . It is not in the least difficult to see them related to stories at the beginning of the period , like 1889's The Solution , with their restricted number of locations and ...
Índice
Psychological Space in The Summersoft Group and the Late Plays | 25 |
Ellipsis and the Fourth Wall | 96 |
Abandoning the Soliloquy | 116 |
Direitos de autor | |
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Outras edições - Ver tudo
Adapting to the Stage: Theatre and the Work of Henry James Chris Greenwood Pré-visualização limitada - 2017 |
Adapting to the Stage: Theatre and the Work of Henry James Chris Greenwood Pré-visualização indisponível - 2018 |
Adapting to the Stage: Theatre and the Work of Henry James Chris Greenwood Pré-visualização indisponível - 2017 |
Palavras e frases frequentes
achieve action actors adapted aesthetic American Arthur Wing Pinero artist audience audience's Awkward Age beautiful become behaviour Brigstock characterisation characters CHIVERS Cintré communication contemporary Covering End criticism Daisy Miller delimited Dennis Vidal describes developed dimension disconnected drama dramatise Dumas fils effect English Eugenio fiction figure Fleda fourth wall French Gereth gesture Gracedew Guy Domville Henry James High Bid Ibsen imagination James's plays James's writing late plays Leon Edel London Madame de Katkoff maiden-aunt manner material melodrama metaphor moral motivation movement narrative narrator naturalist Newman novel novelist observation Owen painting passion performance peripeteia physical Pinero plot Preface present protagonists psychological Raymond Williams recognise relations relationship represent Reverdy Rose Armiger scene Second Mrs Tanqueray secret sense silence social soliloquy space spectator speech Spoils of Poynton stage direction story Summersoft theatre theatrical things Tony Victorian visual well-made play Winterbourne witness wrote York Yule