Adapting to the Stage: Theatre and the Work of Henry JamesAshgate, 2000 - 195 páginas The American novelist and playwright, Henry James, was drawn to the theatre and the shifting conventions of drama throughout his writing career. This study demonstrates that from the 1890s onwards James concentrated on adapting his novels and stories to and from the stage, and increasingly employed metaphors that spoke of novel-writing in terms of playwriting. Christopher Greenwood argues that these metaphors helped James to conceive himself as an artist who composed characters dramatically and visually, and in doing so sets his novels significantly apart from those of his contemporaries. |
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Página 109
... attention ' . James saw writing as life - enhancing and he saw any involvement with it , as reader or artist , not ... attention , of the very greatest attention , and that is all , as a precious preliminary at least , that the ...
... attention ' . James saw writing as life - enhancing and he saw any involvement with it , as reader or artist , not ... attention , of the very greatest attention , and that is all , as a precious preliminary at least , that the ...
Página 152
... attention and Rose Armiger sets one end of the scale , in terms of beauty and manners , for the figures depicted within it . Their relation both to this frame and to this figure tells us something about them - Mrs Beever is organised to ...
... attention and Rose Armiger sets one end of the scale , in terms of beauty and manners , for the figures depicted within it . Their relation both to this frame and to this figure tells us something about them - Mrs Beever is organised to ...
Página 157
... attention is continuously focused upon its central figure , Rose Armiger . All eyes turn towards her because she is both alarmingly present and psychologically opaque . In the play she dominates the first act - she only steps off ...
... attention is continuously focused upon its central figure , Rose Armiger . All eyes turn towards her because she is both alarmingly present and psychologically opaque . In the play she dominates the first act - she only steps off ...
Índice
Psychological Space in The Summersoft Group and the Late Plays | 25 |
Ellipsis and the Fourth Wall | 96 |
Abandoning the Soliloquy | 116 |
Direitos de autor | |
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Outras edições - Ver tudo
Adapting to the Stage: Theatre and the Work of Henry James Chris Greenwood Pré-visualização limitada - 2017 |
Adapting to the Stage: Theatre and the Work of Henry James Chris Greenwood Pré-visualização indisponível - 2018 |
Adapting to the Stage: Theatre and the Work of Henry James Chris Greenwood Pré-visualização indisponível - 2017 |
Palavras e frases frequentes
achieve action actors adapted American appeared artist attempt attention audience Awkward Age become characters comes communication condition connection contemporary criticism Daisy Miller demonstrates describes developed dimension direct drama effect elements English face fiction figure Fleda French Gereth gesture give hand Henry James High imagination indicates interest involved James's kind letter light limits living London look manner material means metaphor moment moral motivation movement narrator nature Newman novel objects observation Owen painting particularly past performance person physical plot position possible Poynton Preface present produced psychological reading reference relations relationship remarks represent Rose scene secret sense separated situation social soliloquy space spectator speech stage story success suggest takes theatre theatrical things thinking tradition turn understanding visual well-made play whole Winterbourne witness writing York